![]() Lyubov Sergeyevna Popova ( Russian: Ap May 25, 1924) was a Russian-Soviet avant-garde artist, painter and designer. It was a bridge by which the Russians approached their radical non-objective conclusions of the 1920s. Cubo-Futurism Suprematism Constructivism. A distinctive movement of the pre-war period, Cubo-Futurism possessed an episodic character and manifested as a transitional phase in the history of Russian avant-garde art and literature in the early 20th century. By 1915, however, Cubism and Futurism had exhausted their usefulness for these poets and painters, who had now passed into completely new territory in the form of Velimir Khlebnikov’s and Aleksei Krucheynykh’s zaum (transrational) poetry, Kazimir Malevich’s Suprematism and, subsequently, Vladimir Tatlin’s and Aleksandr Rodchenko’s Constructivism. The term fits some of his works of this time. Cubism and Futurism offered the ideological and practical means to engage with abstraction and, ultimately, non-objectivity, in a serious and distinctive manner. Cubo-Futurism places more emphasis on movement and action then its predecessor French Cubism (which gives it a perfect segway into fashion). A term applied by Malevich to works he showed at the ‘Donkeys Tail’ (1912) and ‘Target’ (1913) exhibitions in which he combined aspects of Cubism and Futurism, notably the fragmentation of form of Cubism and the sense of mechanistic movement of Futurism. At this stage in their development, young Russian poets and painters were beginning to move away from forms of Expressionism and to explore more innovative approaches. Cubo-Futurism was an art movement that arose in early 20th century Russian Empire, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism.1 Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. The term surfaced in 1912, at a point when the Russian avant-garde were exposed simultaneously to Analytical Cubism and Italian Futurism. In 192728, Russian art scholar Nikolay Punin used the term in the context of art in his brochure Noveyshiye techeniya v russkom iskusstve The newest movements in Russian art (Leningrad: State Russian Museum, 1928). Cubo-Futurism (Kubo-Futurizm) was a term used by the early 20th-century Russian avant-garde to describe literary and artistic works that represented a fusion of Cubist and Futurist styles and principles. 40 The term Cubo-Futurism circulated in literature as early as 1913.
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